![]() ![]() Named an NEA Jazz Master in 1989, he was a key player in bebop’s early years, sitting in with his idol Charlie Parker “three or four times,” he told me in a pre-workshop interview, as well as with Lester Young, Max Roach, Coleman Hawkins, and Dexter Gordon. By the time the singing started, there were upwards of 50 people in the room, and it got more crowded still when the improv class began.Īt 89, Harris is still intellectually agile even as his stride has slowed, the result of a fall two years ago in Bologna, Italy, in which he fractured two ribs. vocals from 8 to 10 and improvisation for all instruments from 10 to midnight. The workshop is actually three workshops: piano from 6 to 8 p.m. I was among a diverse group of 20 pianists of various ages and skill levels, all crowded around Harris as he sat at the grand piano. ![]() The location was a large rehearsal studio on the 10th floor of a building just off Broadway, around the corner from the Ed Sullivan Theater.
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